The decade Mike spent working in the film and music industry before landing in documentary production explains a lot about his visual sensibility and unusual skillset. From early films like internationally successful Jump London to more recent feature documentaries like Hansa Studios: By The Wall, there’s real style and story. But, aside from dozens of broadcast documentaries, those sensibilities are also key to a long and surprising lineage of shortform, brand, and multi-camera event pieces that together demonstrate a seemingly ridiculous range of directorial skills.
His recent work for Supercollider includes documentaries Space Jump and Accelerate or Die! (You Get The Dystopia You Deserve); and brand work including the Emmy nominated Human Pinball for Red Bull, and two LEGO Stuntz campaigns.